"Unbecoming a Librarian (In Nine Steps)" by Michelle Reale. It's dedicated to me, you know. Heeee!
Michelle owns the season, I tell you.
I've submitted to eyeshot twice. the rejections notes said "strike one," and "strike two" respectively. never worked up the nerve to strike out.
Thursday, June 25, 2009
Tuesday, June 23, 2009
The time I was entombed
I made a comment elsewhere that makes it sound as if I don’t appreciate my publication in the venerable Ploughshares several years ago, and I think I should walk that back, because the experience was invaluable even if the story itself was/is pretty meaningless.
I had rough times in my MFA program, mainly because I prioritized smug lyricism over story, and early on Richard Bausch called me out on that, sort of memorably. So when Al Young conducted a visiting writer’s workshop, beginning with a grave speech about how essential it is for the main character to change by the end of the story, I was nervous. See, he had my manuscript in hand, a story in which a guy sits at a bar in front of a big painting of Dolly Parton, thinks about his life, leaves the bar. That’s freaking it. 20+ pages.
And then he said my character never changed. I braced for another MFA beat down. But no, he said it was a good story any way. I think he used the word ‘ineluctable.’
Several months later, Young called the dept asking for that “woman with the brown curly hair” who had written a story he liked. He wanted me to make the revisions and send it to him for an issue of Ploughshares he was editing with the theme of “Believers.”
So that happened. A pub in Ploughshares, graduation and immediate employment, and I didn’t write for years. When I did write, I played with novel projects and had no interest in literary short stories—too much cancer and divorce amongst the middle class—and journals made me sad because I was convinced that the only reason someone would crack Ploughshares to read my story was to see if they could do better than me.
Then years later, Ploughshares offered authors the opportunity to join their digital archive. I opted in, and the rush I felt from seeing my work online was powerful, which in turn sent me into the world of online lit where what I read was so exciting that my love of short story was re-ignited.
I don’t have an ending for this. Oh, almost forgot. When Young called the dept, the receptionist got over excited for me and kept saying it was Andrew Young who needed to speak with me asap. That was confusing.
I had rough times in my MFA program, mainly because I prioritized smug lyricism over story, and early on Richard Bausch called me out on that, sort of memorably. So when Al Young conducted a visiting writer’s workshop, beginning with a grave speech about how essential it is for the main character to change by the end of the story, I was nervous. See, he had my manuscript in hand, a story in which a guy sits at a bar in front of a big painting of Dolly Parton, thinks about his life, leaves the bar. That’s freaking it. 20+ pages.
And then he said my character never changed. I braced for another MFA beat down. But no, he said it was a good story any way. I think he used the word ‘ineluctable.’
Several months later, Young called the dept asking for that “woman with the brown curly hair” who had written a story he liked. He wanted me to make the revisions and send it to him for an issue of Ploughshares he was editing with the theme of “Believers.”
So that happened. A pub in Ploughshares, graduation and immediate employment, and I didn’t write for years. When I did write, I played with novel projects and had no interest in literary short stories—too much cancer and divorce amongst the middle class—and journals made me sad because I was convinced that the only reason someone would crack Ploughshares to read my story was to see if they could do better than me.
Then years later, Ploughshares offered authors the opportunity to join their digital archive. I opted in, and the rush I felt from seeing my work online was powerful, which in turn sent me into the world of online lit where what I read was so exciting that my love of short story was re-ignited.
I don’t have an ending for this. Oh, almost forgot. When Young called the dept, the receptionist got over excited for me and kept saying it was Andrew Young who needed to speak with me asap. That was confusing.
Friday, June 19, 2009
revision update (snore)
The main job in the first 40 pages was to make them more active and focused, less expository and discursive. This required me to wrestle with my narrator, who is a naturally loquacious, sometimes affected, dude. Dean read the pages, liked them, but he knows the concept too well to determine whether I'm delivering enough information at a decent pace, so I have two readers on the job (thanks E & D).
I also put a section of dialogue up on fictionaut, sans context, and the folks there are treating me very well indeed. I'm feeling pretty good about how this is going, with the only barrier being the fact that people keep expecting me to work for a living.
The pic is my WV cabin undergoing renovation. If you click on it, you'll see the toilet is outside in the yard, next to the entrance. This is not our preference.
Thursday, June 18, 2009
Go back to J-school
John Roberts (mtv correspondent turned CNN morning anchor) made me mad today, and it was just a little thing, but cripes. After an otherwise sane exchange between Kiran Chetry and a senior editor from WIRED, JR gets all harumphy before he chimes in with something along the lines of, 'I don't get why some bloggers won't blog under their real names.'
Unrelated, but still pseudo journo bashy: when I started college I was a journalism major. When I switched to English, I thought my mom would be mad, seeing as there weren't clear professional options with a BA. But she surprised me. Said, "Oh thank God. I thought we were paying for you to learn how to become a pickpocket."
Unrelated, but still pseudo journo bashy: when I started college I was a journalism major. When I switched to English, I thought my mom would be mad, seeing as there weren't clear professional options with a BA. But she surprised me. Said, "Oh thank God. I thought we were paying for you to learn how to become a pickpocket."
Sunday, June 14, 2009
New story up at Northville Review
"This American Death" is up today at the always fun Northville Review. It has zombies and public radio in it, and it was written specifically for NR, which is just about my favorite of the newer venues. It's a journal where you can really see the eccentricity of the editor shining through. Plus, Erin Fitzgerald is a great American.
Thursday, June 11, 2009
The Possibilities are Endless
This is a feminine products vending machine, located in the restroom outside my office. Check out the options for the gal on the go who won't be held down by a bit of monthly bother:rollerskater
boot scooter
bicyclist
tag wearer
tennis player
The woman in the foreground is not wearing a snuggie. That's a cowl neck dress, kids, accessorized with a lion 'do and a thoughtful expression. I have never felt the way that woman seems to feel. I think I'm glad of that.
At the bottom three possibilities promised, but each selection dispenses the same generic pad.
Wednesday, June 10, 2009
Not since Free Pancake Day
. . . have so many writers gotten soooo excited. And for good reason. Matt Bell has just announced his new venture, a new online journal called The Collagist, set to debut in August. It's sponsored by Dzanc Books, so it's already awesome.
Once it comes out, readers will be just as excited, but at the moment I'm thinking Matt's inbox looks pretty scary.
Once it comes out, readers will be just as excited, but at the moment I'm thinking Matt's inbox looks pretty scary.
Labels:
Dzanc Books,
Matt Bell,
online journal,
The Collagist
Monday, June 8, 2009
I want to have a michelle reale weekend
I'm doing this because it doesn't look like she has a stinkin' blog. These were her pubs last weekend. Guess she took Saturday off.
Thursday: "Forbidden Fruits"
Friday: "Manipulation"
Sunday: "Natal"
enjoy.
Thursday: "Forbidden Fruits"
Friday: "Manipulation"
Sunday: "Natal"
enjoy.
Friday, June 5, 2009
Glorious run
Paul Toth's deliriously satisfying Hit and Run has suspended publication due to "lack of readership," which seems insane--who did not check this site daily?
I'd join the crowd of folks clamoring for its return, but H&R must have been difficult to sustain, given the concept. It was/is an idea that is almost too good. Perhaps someone will take it over, but I'm okay thinking of it as a gallery that has filled to capacity.
Thanks, Paul!!!!
I'd join the crowd of folks clamoring for its return, but H&R must have been difficult to sustain, given the concept. It was/is an idea that is almost too good. Perhaps someone will take it over, but I'm okay thinking of it as a gallery that has filled to capacity.
Thanks, Paul!!!!
Tuesday, June 2, 2009
Dazzling
Wow, my little 750 word story got a real work out in May. A fragment of it in this this gorgeous collage thingy (press both buttons for an interesting mix) from the mysterious and riveting bedepressed blog. Looks like it's on a hiatus. Hope it comes back. Got a couple Nancy Drew types working on this.
Sunday, May 31, 2009
While I wasn't looking
The amazing Steven J. McDermott posted this about my story, "Do you know what it means to miss" from Juked. I'm a happy writer, he totally gets what I'm going for emotionally, even if doesn't think I have a plot.
rock. rock. rock.
rock. rock. rock.
Labels:
Juked,
short story month,
Steven J. McDermott,
storyglossia
Saturday, May 30, 2009
Light & Air
Finished Shane Jones' Light Boxes, which was both fun and frantic, like Arcade Fire songs. So much of the book is about the fragility of despair and how it will always be weaker than magic, which means that no matter what happens, humanity is recoverable. The book is very accessible, concrete, matter-of-fact, and startling.Then I got my mac air. Try reading an apple manual after reading Shane Jones. There's a certain shared friendliness that weirds me out.
Today was all about test driving the computer, looking at my novel manuscript. Dean's advice, revision-wise: "please put chapters in."
Then we did danger gardening. There has been a huge broken branch caught in other branches swinging over our house for some time now. So we tied a shoe to a rope, tossed the rope over the supporting branch and shook the bugger loose. Spiked a deep divot in the ground near the porch, but missed the cardinal's nest (which has a lone cowbird egg in it).
oh, almost forgot--the pic in the previous post has naughty bits in it. I didn't know that.
Friday, May 29, 2009
Thursday, May 28, 2009
New Story at decomP!
The June issue of decomP has gone live, with my story: "Ava Gardner was born in Grabtown" . I'm very excited, of course. The story comes from an idea that was too-too to fly: what would happen if you dropped Infinite Jest in the bathtub? Of course there's none of the original idea left.
My bio is a little off. I claim that I have a recent publication in the Northville Review. So far this is untrue, but Erin will crack any day now.
My bio is a little off. I claim that I have a recent publication in the Northville Review. So far this is untrue, but Erin will crack any day now.
Labels:
decomP,
erin fitzgerald,
Northville Review
Tuesday, May 26, 2009
Completed the draft of the Louisiana Novel
it's a mess, but a completely workable one. think I'll take the rest of the afternoon off. the thing is called Social Aid & Pleasure. what dean has read so far, he says is like cory doctorow. my story in Barrelhouse 7 "Wishtank" comes from the novel.
I will celebrate the same way I grieve, with food and alcohol.
I will celebrate the same way I grieve, with food and alcohol.
Thursday, May 21, 2009
so hows youalls novelses goings?
katrina finished her draft, gary hit 200pp, david seems to have gone underground with his. I'm 4 complicated scenes away from my planned ending, having taken a surprise detour into a sex scene that's sorta didactic. it's the last good time in the book, the last time everone's a winnah! now for the collapse of all we know and love.
just finished reading Gillian Flynn's Dark Places, a great book that should be called Grotty Places. I swear each time the locale changes, it gets grosser and grosser.
I'm going to try write all weekend, but if I have to stop, I plan to start reading Light Boxes. hope it doesn't mess me up by being too good. And the thing is so attractive that Dean says he wants to read it. Keeps eyeballing the book like it's some fascinating new pet in the house, but not a kitten or puppy. More like a gecko.
just finished reading Gillian Flynn's Dark Places, a great book that should be called Grotty Places. I swear each time the locale changes, it gets grosser and grosser.
I'm going to try write all weekend, but if I have to stop, I plan to start reading Light Boxes. hope it doesn't mess me up by being too good. And the thing is so attractive that Dean says he wants to read it. Keeps eyeballing the book like it's some fascinating new pet in the house, but not a kitten or puppy. More like a gecko.
Labels:
david erlewine,
denza,
gillian flynn,
novel writing,
percesepe,
shane jones
Monday, May 18, 2009
This is a riot
I'm pretty sure I'm not jealous. One of my students made the top 20 cut for Robert Swartwood's Hint fiction contest. Actually, I'm thrilled.
Saturday, May 16, 2009
news and goodies
Also, I picked up the Spring 2009 issue of Mystery Scene which features two delightful articles by my pal and fellow db enthusiast, Art Taylor. One of the articles (about romantic crime films) is the 'centerfold' feature, so it's on shny slick paper. If you're gonna go print, slick and shiny is aces.
Just finished Ken Bruen's Cross, and I gotta say that was a dark, dark finish. I may need counseling.
pathological
heh. have the ending of the novel m.a.p.p.e.d. o.u.t., but I'm only slogging along and have written two back to back scenes of characters having conversations in the dark. That's not fiction, that's radio.
lotta smoke up my skirt lately, that could be the prob. but also, knowing.
I'm only posting for the superstition.
lotta smoke up my skirt lately, that could be the prob. but also, knowing.
I'm only posting for the superstition.
Wednesday, May 13, 2009
Gravity Dancers close to becoming real
The Paycock Press anthology, Gravity Dancers: Even More fiction by Washington Area Women, edited by Richard Peabody is on the verge. I just got the galleys for my contribution, a story called "Moon Walk" that comes from the WV novel.
The launch party is scheduled for Sunday July 19th at Politics & Prose at 5pm.
The launch party is scheduled for Sunday July 19th at Politics & Prose at 5pm.
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